I am interested in how “museum” has been used to divide or unite human groups and the sense of belonging. I have been researching the birth and evolution of “museum” in Iran and the changes in museum exhibitions of art including modern and contemporary art. I particularly examine how master narratives have been built in the “museum” in relation to the changes of governing system as well as of revolution.
2022 Ph.D Area Studies, Graduate School of Arts and Sciences, The University of Tokyo
2020–present, Part-Time Lecturer, Global Liberal Arts Program (GLAP), Rikkyo University
2020–2022 Project Researcher, Tokyo College, The University of Tokyo
2012–2014 Japan Society for the Promotion of Science (JSPS) Research fellow (DC2)
2010 MSc Middle Eastern Politics, School of Oriental and African Study, University of London
2009 BA Politics, School of Oriental and African Study, University of London
寺田悠紀 文，羽田正 監，ヒロミチイト 絵．『輪切りで見える！パノラマ世界史５ 変わりつづける世界』．大月書店．2015．
寺田悠紀「12-17 コンテンポラリーアート」「12-18 現代美術館事情」鈴木董、近藤二郎、赤堀雅幸（編）『中東・オリエント文化事典』．丸善出版．2020．
Yuki, T. Exhibitions of Art in Iran and the Tehran Museum of Contemporary Art. Ji Meng and Atsuko Ukai (eds.). Translation, History and Arts: New Horizons in Asian Interdisciplinary Humanities Research. P199. pp89-109. Cambridge Scholars Publishing. 2013.
Yuki, T. Jackson Pollock: A Centennial Retrospective. Art Tomorrow. No.7 Winter, 2012.
Yuki, T. Review: Arab Express. Art Asia Pacific. Issue 80. Sept/Oct. 2012.